Build a Better Background with Hi Def
When creating textured HD backgrounds, try this
helpful hint. Before "icing" the background with
your palette knife, paint a smooth base using a
background color and the flocked sponge head
of your texture tool. This ensures even coverage
of your project background and prevents the
project surface from showing through.
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BACKGROUND TECHNIQUE~~~SMOKING
The background of a piece of art can make or break
the whole design. The smoking technique is a beautiful,
unique background that will be sure to help "make"
your work of art. Smoking is a simple yet elegant
technique that you are sure to enjoy creating.
Let's begin!
Be sure to use acrylic paint for this technique.
Basecoat your item the color of your choice.
The lighter the basecoat color the more of the
smoking effect you will see on your finished
project. Thin down your background color
paint to be an ink-like consistency and apply
a second coat to your surface. While the
basecoat is still damp hold a palette knife or
spoon in the tip of a candle flame to make a sooty
smoke rise from around the spoon/knife. Hold the
painted surface (that is still damp) over the sooty smoke
(that is coming out from under the palette knife or spoon)
turn the surface in different directions to create soft
smoked swirls on your surface. Let dry.
Spray the entire surface with several light coats of
acrylic sealer with a matte finish. Let dry in
between coats. Once completely dry you are ready
to begin your decorative painting as usual.
Enjoy creating this beautiful, simple
background for your decorative art. •
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Simple Background
Use an angle brush, some blending gel and two
or three colors. Coat the surface with a thin
layer of blending gel. Randomly put dime size
blobs of paint onto your surface, rotating colors.
Pull your brush diagonally through the blobs of
paint, working your way over the entire surface,
smoothing paint as you go. The result is a
beautifully colored background!
Weilding the Palette Knife
Since high def paint is used much like oil paint, it makes sense to apply it liberally with a pallette
knife. Learning how to handle the knife can be tricky, but once you gain some control and mastery over it,
you will want to use it to make textured backgrounds, clouds, sky, mountains water, waves, trees and more!
1. First, double load the knife by patting the pallette knife in one puddle and then another.
2. Spread paint on your surface in a smooth motion.
3. To triple load, drag one edge of the knife into a third paint puddle.
To create clouds, load with white paint and tap lightly while dragging across your surface, leaving heavy texture.
To make cypress trees, or trees in the distance, tap blade lightly up & down making the shape narrow at the top
and wider at the base. Leave heavy texture.
For mountains, pull edge of knife onto surface with downward motion.
For textured backgrounds, think like "icing a cake". Bring full blade smoothly across surface leaving texture behind.
The latest trends in art for home décor reflect a mix of both classic and contemporary styles—the colors are warm and rich, the brush strokes are well defined, and the techniques are reminiscent of Old Masters such as Van Gogh and Rembrandt. Subject matter reflects nature through botanicals, florals, landscapes and still life. Mid to high end retail stores, catalogs and websites are showing artwork with high definition and detail, and are offering such pieces upwards of $175 for a 16’x20’ canvas. To recreate such works of art requires a significant time and monetary investment, and many artists are intimidated by the thought of using oil paint.
With new FolkArt® High Definition™ (HD) paint, you can create your own work of art at a fraction of the time and cost. This new acrylic paint line mimics the texture of oils, and dries to a semi-gloss sheen. Unlike oils, any spills can be cleaned up easily with water while still wet! The 38 vibrant, rich colors blend easily on a palette, and can be applied with a brush, a painting knife or the writer tip. Most importantly, FolkArt HD is suitable for painters at any skill level. No advanced skills are required! You are encouraged to use FolkArt HD on a variety of surfaces: canvas, wood, tin, metals and papier mâché are among the favorites. Just pick up your brush and let your imagine take hold—you will quickly find how easy it is to create stunning works of art!
Frequently Asked Questions
What are the three most important features of FolkArt® Fabric
™ Paints?1. FolkArt Fabric Paints are formulated the same as FolkArt® Acrylics with the same rich, creamy consistency which
allows the decorative artist to paint many different techniques including the popular One Stroke
™ paintingtechniques.
2. FolkArt Fabric Paints are also formulated with the decorative artist in mind. These paints have excellent hide, so
that when painting on dark fabrics, your colors will remain bright and not be dulled by the dark fabric showing
through the decorative painting.
3. When painting with FolkArt Fabric Paints, your fabric item will remain soft to the touch when dry. Your painted
design will not dry hard, or stiff.
What types of fabrics can I decorative paint on using FolkArt Fabric Paints?
Fabrics such as denims, cottons, poly cotton blends, woven blends, and home décor textiles can be used as surfaces
for fabric painting when using FolkArt Fabric Paints.
Should I prewash the fabric before painting my design?
Yes, all fabrics should be prewashed using soap and water following the manufacturer’s washing instructions, most
denim fabrics should be washed multiple times in hot water to thoroughly remove the sizing in the fabric.
DO NOT usea liquid fabric softener or a dryer sheet as this may prevent the paints from adhering properly. If your garment is
wrinkled, you may iron the fabric as instructed on the garment label,
DO NOT use a spray starch product.What is the best way to support my project while painting my design?
The FolkArt Fabric Painting Forms are the perfect way to support your project while painting. These were designed to
provide a firm painting surface and prevent bleed through. If the Fabric Painting Forms are not available in your area,
simply improvise by placing a wax paper or plastic wrapped cardboard form behind the area to be painted. You may
also find it helpful to tape a piece of fine grade sandpaper to the form; this will keep your fabric from shifting while
painting.
While painting, can I use water to thin the FolkArt Fabric paints?
It is best
NOT to thin FolkArt Fabric paints with water as this will dilute the acrylic polymer of the paint and lessen theadhesion properties of the paint. Why produce a great piece of artwork only to watch the design weaken or fade with
washing?
How can I add a “spritzed” background color to a project if water should not be used?
To create a “spritzed” background color to a project, mix FolkArt Fabric Brush-on Paint with FolkArt Fabric Spray
Medium in a spray bottle. There is no exact mixture, simply add the paint color of your choice until you achieve the
desired color intensity. To avoid clogs in the spray nozzle, make sure to wash it out after every use. Remove the
sprayer from the bottle and place it in a cup of water. Spray until no color sprays out of nozzle.
How thick should I apply my FolkArt Fabric Brush-on Paint?
When applying FolkArt Fabric Brush-on paints to fabric, use a moderately heavy application of paint. It is best to keep
your brush full of paint when painting with FolkArt Fabric Brush-on paint, moderate to heavy applications will have
greater durability. A lighter application of paint will have less durability.
Should I “scrub” the FolkArt Fabric Brush-on Paint into the fabric while painting?
When applying the paint, use enough brush pressure to press the FolkArt Fabric Brush-on paint into the fabric, by
doing this, you will increase the adhesion of the paint to the fabric.
Can I apply FolkArt Fabric Dimensional Paint directly on the FolkArt Fabric Brush-on painted design?
Yes, as a matter of fact, the best adhesion is made when the FolkArt Fabric Dimensional paint is painted as an accent
directly on top of the
WET FolkArt Fabric Brush-on paint. To ensure maximum adhesion, you must apply thedimensional paint on top of wet brush-on paint (within 8 hours) and prior to heat setting. The FolkArt Fabric
Dimensional paint can be used to paint borders, accents or to outline. Place the tip of the bottle on the fabric. Hold
the bottle at an angle and pull the bottle around the element to be highlighted. When using the FolkArt Fabric
Dimensional paint, you will not be able to heat set by iron, air dry your project for 72 hours and turn your garment
inside out and heat set in the dryer for 30 minutes
How long does it take for the painted design to dry?
The FolkArt Fabric Brush-on paint and the FolkArt Fabric Dimensional paint will air dry within 24 hours and will be
cured in 72 hours.
Is it necessary to heat set my fabric painting project when using FolkArt Fabric Brush-on Paints?
Heat setting is recommended for best durability. Allow the painted design to dry overnight. Place the item in a clothes
dryer for 30 minutes on the highest setting allowed for the type of fabric used,
OR you may heat set the painted pieceusing a dry iron and a pressing cloth by laying the pressing cloth over the painted fabric and iron the painted design for
10 seconds, lift the iron and move it to another section of the painted design. Your iron should be set at the highest
setting allowed for the fabric used.
NOTE: When using the FolkArt Fabric Dimensional paint, you will not be ableto heat set by iron, air dry your project for 72 hours and turn your garment inside out and heat set in the dryer
for 30 minutes
.Can I add embellishments such as gems, or crystals to my painted design?
Yes, your fabric painted design may be adorned with gems or crystals. Using tweezers place the crystal onto a dot of
wet FolkArt Fabric Dimensional paint and allow it to dry. The FolkArt Fabric Dimensional paint makes a great adhesive
when applying crystals to your artwork.
What is the best way to clean up my supplies or a small painted mistake?
FolkArt Fabric paints are water soluble and clean up is easy using soap and water to clean your brushes. While
painting, if a mistake is made, try incorporating the dot of paint into the design by adding another flower or a lady bug,
etc. However, if you begin cleaning the wet, misplaced drop of paint quickly using soap and water, the mistake can be
cleaned up.
How shall I launder my FolkArt Fabric painted item?
FolkArt Fabric Brush-on and FolkArt Fabric Dimensional paints have been tested for machine washing, however, with
all hand painted items, it is best if they are hand washed in cold water and air dried which will increase their durability.
If washing by machine, turn your garment which has been painted
without dimensional accents inside out and usecold water with a mild detergent on the gentle cycle of your washer and dryer.
DO NOT place the item in the washeror dryer if dimensional paints or crystal embellishments have been used. Remember: You MUST still follow
heat setting instructions prior to wearing and/or laundering your garment.
For more information: 800-842-4197 www.plaidonline.com
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JULY TECHNIQUE~ HIGHLIGHTING & SHADING
Adding highlights and shadows to an object helps give a feeling
of three-dimensions to it.
The first thing you need to do is to decide which direction the light is shining from.
This needs to be the same on every item in the painting.
Highlights are added on the side the light is coming from and shadows on the opposite.
Adding a highlight: Highlights occur where bright light hits an object and are usually quite small.
Use a pale color of the object for a highlight, then go back and add a "glint" with pure white. (use this sparingly!)
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Painting on Fabric
Painting on fabric is a fun fast way to update an old pair of jeans or worn out Tshirt.
Always wash your fabric before painting. Use a trash bag or some other non porous
material to go between layers of fabric. paint will bleed through, and you don't want your design
breaking through to another layer. Buy paint especially designed for fabric. Folk Art Textile Paint is
perfect and comes in lots of trendy colors. Use a stiff brush to paint with................brushes designed
for paper work well. Use lots of paint! Painting on fabric will take lots more paint than usual!
Don't expect to get the "edge" you noramally would with other surfaces.........go for a effect not perfection!
Use dimentional paint to outline and add those details that are too hard to do with a brush. Most of all, have fun with it!
Model your new fashions, and your friends will be begging you to paint some for them!
Happy Painting!

HOW TO MAKE THE MOST OF YOUR PAINTING CLASS
You've signed up for your class, now how can you be sure to make
the most of this experience?
1. Look at your supply list carefully, purchase any needed items
and have everything packed up and ready to go before hand. Consider
purchasing a tote bag designated to be your "Painting bag", so you always
know where to find needed art items.
2. Arrive at class early. The teacher is always there ahead of time; you can
ask questions, set up your "painting station" and be ready to go when class
starts so you don't waste a valuable minute of time.
3. Give your full attention to the demo. While watching intently, make sure
you are listening to the instruction as well. Socializing is a valuable part of the
painting experience, but not while the teacher is demonstrating.
4. Ask for clarification on any part of the instruction you don't understand.
It's better to find out right away if you're doing a stroke incorrectly, then picking
up a bad habit.
5. Be positive about the experience and your ability. If you truly desire to
paint, you can! Understand it is a process, and enjoy the journey as well as
the product of one class experience. The more relaxed and positive you
are, the better you will paint.
6. Ask the teacher if there are any other tools that can help you become more
accomplished. As your expertise begins to grow, seek out tools and techniques
to help you improve. Many times a teacher will use only a minimum of tools to
keep expenses down for the class.
7. Practice in between classes. Classes are designed to teach the elements,
but you will not become
proficient if you do not practice. An hour a day is ideal, but any time you give
to practice will help.
8. Do it for you! You are not taking a class to please anyone else -
paint because it makes you feel good!
Smile, and reward yourself for any small progress you make! 
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Floating Medium
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What exactly is floating medium and when do you use it?
is is a question I get asked a lot in class.
Floating medium is actually paint without any pigment,
and is therefore colorless. We use it when we want to
"float" over a surface. Every surface has friction
between the brush and the surface you are stroking.
Glass has very little friction, wood or paper much more.
By adding floating medium to your brush, you allow
the brush to have a cushion, thereby "floating" over
your surface, without adding any color. This medium
simplifies the most difficult painting techniques by allowing
strokes to be repeated. You have more control with paint
and floating medium than you would if you added water.
Also, it keeps the colors from being diluted like with water.
Floating medium also doesn't run like water will.
You add floating medium to a fully loaded brush
and work it in before going to your surface.
Depending on your surface, you will only need to continue
to add it every third or fourth time you pick up paint.
To shade or float a color, first load your brush
completely with floating medium.
Then side load your paint color and go directly to the area
you want to shade.
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Follow these tips to keep your brushes in top working condition.
When loading, using or cleaning, work hairs in their natural direction.
Do not leave a brush soaking in liquid for long periods, especially resting on its bristles.
Never allow paint to dry on your brush or work its way into the ferrule.
Clean your brushes thoroughly and promptly with a cleaning solution suited to the media used. For best results, use a brush cleaner and always read the instructions given on the paint/cleaner containers.
Store brushes so there is no pressure on the hair.
Brush Tub & Brush Tub II are designed to make it easy to clean your brushes quickly and thoroughly. Each tub has three separate chambers. Fill each with about 2 inches of water. During painting keep water in one of the small sides completely clean for dressing your brush. Use the other small section for swish rinsing and the large section with the ribs for thorough cleaning, especially at the end of your painting session.
To clean, pull brush along the ribs, low to high. Pull one direction only and then turn the brush over and do the same on the other side. The brush should make contact with the ribs on or as close to the ferrule as possible, so as not to cause damage to the hair and to help vibrate paint out of the ferrule.
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In three easy steps, your brushes will be clean, shaped and ready to go when you start your next project.
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This lesson will deal with brush control. To keep control of your brush you need to be aware of what the handle and the bristles are doing.
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The Bristles Tell The Story By looking at the bristles you can tell if the handle is straight. Muddy colors, mis-shaped strokes and other errors can be solved by keeping the handle of the brush straight. | ||||||||||||||||
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STEP 1
A properly held handle should be straight or slightly tilted in the direction of the stroke. | |||||||||||||||
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STEP 2
In other words if you are pulling the stroke to the right the brush should be SLIGHTLY tilted in that direction. | |||||||||||||||
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STEP 3
If you are pulling the stroke to the left then the brush should be SLIGHTLY tilted in that direction. This does not mean that it is tilted to the side; it means that it is tilted slightly forward. | |||||||||||||||
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STEP 4 If you see the bristles out to the right side of the ferule (metal part of the brush) then you know that the handle is tilted to the left side.
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STEP 5 If you see the bristles out to the left side of the ferule (metal part of the brush) then you know that the handle is tilted to the right side. | |||||||||||||||
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STEP 6
If the bristles are out to both sides of the ferule then you are tilting the brush backwards. | |||||||||||||||
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STEP 7 The bristles should be directly behind the ferule
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STEP 8 When loading the brush the handle needs to be straight
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STEP 9
A tilted handle will cause the bristles from one color to go into the other colors which will result in muddy colors. | |||||||||||||||
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STEP 10 When turning a stroke a tilted handle will cause the bristles to twist. | |||||||||||||||
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STEP 11
Bristles that are tilted at the end of a stroke will cause a feathering to the tip | |||||||||||||||
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STEP 12
Make sure the bristles are directly under the ferule to avoid a feathered tip | |||||||||||||||
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STEP 13
See the point at the end of the leaf? That is the result of ending on the chisel edge with no pressure on the tips of the bristles.
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Don't forget to check this month's schedule of classes!
Using a Liner Brush
Liner brushes are used to paint details, accents, curlicues, and ribbons. They are used with paint that is inky (paint thinned with water to the consistency of ink). You can also use a liner brush to sign your work. When using a liner brush, make sure that the handle is straight up and down. Use only the tips of the bristles. There is one small hair on the tip of the brush and ideally that is what your touching to the surface. I like to think of it as a ballerina on her tippy toes. Paint by allowing your whole arm to move. If you only use your fingers or wrist to paint, the brush will lean and you will either lift the bristles off the surface you are trying to paint or bear down too heavy and strokes will not be thin and delicate. Using a little pressure and sliding while lifting off the surface will give you delicate, pretty strokes. Remember, practice makes perfect!
Loading a Liner Brush
1. Dip brush in water.
2. Lay bristles next to the paint and move tip in a small circle, allowing the tip to touch the edge of the paint.
3. Pick up more water on the brush.
4. Continue making circles to create an inkly puddle of paint.
5. Pull the brush out of the paint as you rol the brush in your fingers making a nice, sharp point.
6. Paint only with the tips of the bristles touching the surface. Make sure the handle of the brush to straight up.
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Finishing Your Project
After you have allowed a painted project to cure to make sure completely dry, (at least overnight), it is wise to seal your work to protect its beauty and durability. I apply a clear acrylic sealer made by Plaid Folk Art. It comes in a variety of finishes- matte which is flat, satin, which leaves a sheen, glossy for a high luster, and high gloss for a project you want to look real shiny. Apply coats in short even bursts, to cover project. It is better to apply a few thin coats, than one heavy coat. Allow to completely dry before placing anything on or near the surface. Drying time is affected by things like the humidity, so allow ample time for sealing your project. Taking the time to finish your work properly gives it a polished, quality look.
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Helpful Hints & Tips For Your Painting
-sand wood surfaces lightly before basecoating and wipe away any dust before starting to coat your project
-wash glass surfaces with soap & water, then clean with alcohol and let dry before painting.
-rub candles with alcohol before painting to remove oil from hands, etc.
-paint larger elements of your design first, then fill in with the smaller elements.
-paint one stroke at a time-if each stroke is pretty, your whole design will be. :-)
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Using the Flat Brush
One Stroke flat brushes are ready to use from the package. Simply dampen the bristles in water and dry them with a paper towel before loading. When cleaning flat brushes, you can use the rake in the bottom of the Brush Caddy. Flat One Stroke brushes are synthetic and don't have a tendency to break, but be gentle.
It is easier to control the 3/4" Flat and the #12 Flat brushes when you are first learning. Avoid using the smaller brushes until you are comfortable with the loading process and the strokes.
Double Loading the Flat Brush
1. Dip brush in water. Blot it on paper towel
2. Dip a corner of the brush in the first color.
3. Dip the opposite corner in the second or darker color.
4. Stroke the brush between the two puddles. This spreads the paint in the brush and also pulls more paint into the brush.
5. Stroke the brush back and forth on both sides to distribute paint into the bristles of the brush. Push hard to work in the paint. Work the paint into the brush until is two-thirds full. Try not to get paint into the ferrule (the metal part of the brush).
6. Keep your blending area short, no longer than 1-1/2" when loading the 3/4" flat, shorter for smaller brushes and slightly longer for larger brushes.
7. After paint is worked in and the brush is loaded, dip a tiny bit of the corner--the same corner as before--into the same color.
8. Dip a bit of the other corner in the other paint. You are now ready to paint.
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Basecoating
Basecoating a surface, whether it is wood, terra cotta, metal or paper can be hard on a good brush. I use a sponge applicator 1-1/2" thick to apply a coat of sealer or paint. For sealing wood or terra cotta before you paint, sand lightly and apply a thin coat of modge podge (used to decoupage) or your favorite sealer with a sponge applicator. Less is better than more. It is better to apply 2 coats than one thick one. Let dry completely before applying design. Careful basecoating will go a long way in beautifying your project.
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New Products to Try !!
The Eraser Tool- Plaid # 1368
This set includes 4 tools of various sizes and shapes. There are three with flat chiseled edges and one tool with a tapered point. As you might suspect, these tools are used to wipe away excess paint, create nice clean crisp edges on a design, and achieve precise, fine details. They are also helpful for cleaning up those little mistakes-oops! Use this tool while the paint is still wet. Pull the rubber end along the edge you wish to clean up. Voila! Perfect projects! :-)
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Don't forget to check out this month's class schedule & projects!
This months newsletter focuses on how to use the Fan Brush.
There are two sizes available for the One Stroke fan brush.
Plaid Large Fan #1196 & #2 small fan #1277
Using the Fan Brush
A fan brush is named because of the shape of the bristles. This brush can be used to paint waves, tree foliage, grasses, hair, fur, and wild flowers. Different affects can be achieved by pulling the flat part of the brush or pushing it. you can stay on the chisel and pull fine hairs by flicking in the direction of the flat side or pulling in the directions of the chisel edge. You can also dab or pounce on the chisel edge and also scrub it sided to side.
Loading the Fan Brush with Undiluted Paint
1. Pull paint from the edge of the paint puddle into the bristles. load only about one-third of the length of the bristles.
2. Pull the second color into the brush on one side of brush.
3. Use a pulling motion to paint items such as the foliage of an evergreen tree.
Loading the Fan Brush with Thinned Paint
1. Dip brush in water.
2. Pull paint from a puddle into the brush bristles.
3. Paint grass by pulling on the flat side of the brush.
Why not try out a new brush and have some fun! Happy Painting!
Don't forget to check out this month's class schedule and great projects!
This month we focus on how to use the scruffy brush.
We use a scruffy to make sunflowers which is the ACM class on Aug 5th!
Preparing the Scruffy brush
1. When you take the scruffy brush from the package, it needs to be prepared for painting. First, pounce into the palm of your hand to help remove sizing and fluff the bristles.
2. Next, use your thumb to spread the bristles.
Loading the Brush
1. When we paint with the scruffy brush, it is very important that we do not dip it in water; we paint with the scruffy brush completely dry.
2. Load 1/2 of brush into first color. Push hard on brush and pounce into color.
3. Next, load the other half of brush into second color in the same way.
Painting Wisteria or Lilacs
1. Load brush with a light color and a darker color. Pounce loaded brush into a half circle shape, with the darker color on the outside.
2. Now, paint a secondy layer by making a smaller half circle to overlap the first one.
3. Finally, pounce down to a point, leaning the brush as you taper to finish the flower.
1. It's a fun and stress free way to spend your time.
2. You've always wanted to try painting.
3. You can make things to give to others.
4. You can share your talent and teach others who wish they could paint.
5. You have old, beat up items around the house that could be given a new life if you painted them.
6. You will never have to buy another greeting card or gift bag again.
7. You can meet lots of nice friendly people that also paint.
8. It's an inexpensive hobby.
9. It can be done anywhere, anytime, with others or alone.
10. It will inspire your creative abilities in other areas.